Foolin' around with watercolor paper again. There was a beautiful loose state early in the process where I should have left it. Sometimes I just can't stop. Another Spectrum Live piece.
Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
FACEBOOK
If you like me, like me on FB
The Work of Bill Carman
Website
If you like me, like me on FB
For Sale
About Me
- AFA
- art of felideus
- art order
- beinart
- brumfield galleries
- cgunit
- drawn
- ed binkley
- eric fortune
- eric orchard
- flesk publications
- gallery nucleus
- gurney journey
- ian miller
- lines and colors
- lost at e minor
- muddy colors
- pen addict
- petar meseldzija
- renee french
- rick berry
- seven impossible things before breakfast
- sidebar nation (artist interviews)
- spectrum
- the art department
Members
Interviews and stuff
- Video Interview AFA
- NPR/Boise Public Radio
- Art Department-Irene Gallo
- Blue Canvas Magazine #5
- Boise Magazine
- Boise Weekly 2
- Boise Weekly 3
- Design Tonic
- Diskursdisko
- El Bombin Cuardrado
- Fluster Magazine
- fourteen-forty 1440
- Idaho Arts Quarterly
- Inernational Artist Magazine
- Lines and Colors
- Muddy Colors
- Seven Impossible Things
- Tools Artists Use
2 comments:
I have the opposite problem it seems, Bill. I get too comfortable with the looseness, or even unfinished aspects of my work and seemingly never get them polished. I know that many artists do very well working loosely, but for me I think it is just because I don't quite know how to take it all the way, or I get bored with a piece.
At any rate this is a wonderful painting. It made me chuckle. I love the textures as always, and your colors always pop! Thanks for sharing!
One of the greatest joys and concerns, when to stop.
Post a Comment